STUDIO PRACTICE by MAX BAINBRIDGE and ABIGAIL BOOTH
Working alongside one another, artists Max Bainbridge and Abigail Booth produce sculptural and wall based works that look at landscape as a site of exchange between material and the maker. Driven by a deep relationship to the land they work with a range of raw materials sourced directly from landscapes in and around the UK. Wood, earth and iron are the reoccurring elements that ground their individual practices in a material investigation of form, composition and colour. Their work challenges the relationship between the imagined and the actual, where landscape occupies the critical space between thought and process. Max and Abigail treat this liminal space as a site where human narratives can be challenged and re-written through their interaction with the natural. The use of raw material is integral to the work, with wood transformed into objects symbolic of human ritual, and cloth saturated in iron and earth to produce images that conjure the monumental and meditative.
Levelling Traditions | 1 December - 2 February | Make | Hauser & Wirth Somerset | Bruton
Private View, 6 - 8pm, 30 November
MAKE’s second exhibition entitled ‘Levelling Traditions’ brings together nine artist-makers united by an intimate understanding of material. Each was invited to create original works to interpret themes of rural life and traditions, the land, the domestic and the intimate – a world in which materials, people, place and process have been so closely intertwined.
The exhibition attests to the extraordinary skill of the maker and modern craftsmanship and our rich cultural heritage. Many works have been created using materials from the makers’ local environment or sourced specifically from Somerset.
Walking The Line | 11 May - 6 July | Oriel Myrddin Gallery | Carmarthen
Artists Max Bainbridge and Abigail Booth present an ongoing and evolving body of work, first exhibited in 2018 at Ruthin Craft Centre. Working alongside one another and influenced by their relationship to the land, Booth and Bainbridge tread the line between art and craft, crossing between contemporary art practices and the traditions of craftsmanship.